Anna Caterina Antonacci
Awarded as one of the top sopranos of the past, Anna Caterina won prestigious prizes at competitions like the Voci Verdiane Callas and Pavarotti contests. French Republic awarded her with the most prestigious national award the title of 'Chevalier de la l'Ordre National of the Legion d'Honneur'. She has recorded L'Alba separa dilla luce, the ombra and Donald Sulzen for Wigmore Live. It features tracks of Tosti Cilea. Anna Caterina, a distinguished participant in the General Assembly of Academicians of Santa Cecilia's panel of distinguished members in 2021, was selected as one of the Accademici Effettivi. Anna Caterina performed as Madame de Croissy at Teatro dell'Opera di Roma in the 22/23 season. The production was conducted by Emma Dante. The character will be reprised by Anna Caterina Antonacci at the Bayerische Staatsoper later this season. Anna Caterina Antonacci was born in Italy and is best recognized as an Italian Soprano who is a performer of baroque, belcanto, and other repertories. She primarily focused on her role in the Rossini Canon. She was mezzo-soprano for several years. Anna Caterina Antonacci, who is 62 years old, is currently not known for her stature. Anna Caterina Antonacci Height Weight Body Measurements, Hair Color and Eye Size for Color Dresses will be updated as quickly as we are able. She is single. There is no one she's dating. We do not have any details about her previous relationships or commitment. Accordant to our Database she is a single mom. Her net worth has grown dramatically. How much is Anna Antonacci's net worth today at the age of aged 62? Anna Caterina Antonacci makes most of her money by performing. Anna Caterina Antonacci, born 5 April 1961, in Italy, is an soprano renowned for her work in the Baroque as well as the Bel Canto repertories. Mezzosoprano Antonacci focused on Rossini's canon over many years. Antonacci, a Bologna-trained artist who was able to make her Arezzo debut in the role of Rosina in 1986. The full profile of her was published by The New York Times in March 2012.






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